Scary Games For Mac

If all you want to do is shoot zombies, you can’t really do better than Killing Floor 2 ($30 on Remove product link) nowadays. With six-player co-op and a ton of unique weapons, your goal is basically to coat every single surface in the game with blood. I mean, technically your goal is just to kill every zombie that moves, but the persistent gore system is definitely a perk here. By the end of a level it’s like a meat-packing plant exploded. Kudos to Tripwire for supporting the game through its rough patches, too. What started out as a so-so sequel has turned into one of the best zombie-slaying games since.well, since the first Killing Floor. The first Evil Within was a mess of a game.

Oh sure, it had brilliant ideas, but the execution was just dismal at times—clunky movement, a tedious and poorly paced opening, and a save system that caused more than one person I know to quit after a few hours. But The Evil Within 2 ($60 on ) is excellent—maybe one of 2017’s best games. That’s my opinion, at least. The more open-world structure of some acts takes a bit of getting used to, but its more story-driven bits are home to jaw-dropping spectacle: people’s last moments frozen in time, unsettling architecture, supernatural hallucinations. All the pieces that made the first game worth the grind are back, and paired with a game that actually plays well this time. Once upon a time this slide was a battle between Dead by Daylight ($20 on ) and Friday the 13 th, two horror games with a similar conceit: Asymmetric multiplayer, where four survivors have to band together and hold out while another player, the powerful monster, tries to kill them off. “Think Evolve, but for sadists,” I wrote.

But Dead by Daylight is your only option now. The Friday the 13 th game got caught up in the ongoing lawsuit over the series rights, with the developers pretty much abandoning it in July and saying “no new content” would be forthcoming. You can still buy it on Steam, but you’re better off sticking with Dead by Daylight. If you want horror where you have the heavy firepower to fight back, Dusk ($20 on ) is a hellscape worth checking out—even in Early Access. Taking inspiration from Quake and other blocky FPS games of the late ‘90s, it’s a mile-a-minute battle against the KKK and other less horrific monsters. It’s being released episodically, but two out of the three episodes are done and feel fantastic.

And if you were more into Heretic than Quake, Dusk publisher New Blood is also putting out, another horror-adjacent retro game with a focus on melee weaponry and magic. Now we're digging into Frictional's truly great scares. A Victorian-era castle may not seem like the best setting for a horror game, but with Amnesia: The Dark Descent ($20 on ) Frictional took everything it learned from its earlier games, polished it, and released one of the scariest games of all time.

You play as Daniel, an archeologist who's lost his memory and has only a letter—apparently written by him—to guide his escape from the mad castle and shadowy figures that stalk him. As of 2018, Amnesia's also been updated with a new difficulty level, harder than before. I wouldn't recommend it for new players, as true horror's found in thinking you might die and then escaping. But for veterans, it's great to have a reason to revisit the castle. And while it's more polarizing, the sequel Machine for Pigs ($20 on ) is worth checking out, as long as you curb your expectations. Resident Evil 7 ($30 on ) is a huge departure for the long-running horror series—probably the biggest reinvention since Resident Evil 4. It gives up the third-person camera, abandons the usual Resident Evil aesthetic, and even gives up the focus on combat.for most of the game.

What’s left is very clearly Frictional-inspired, more similar to Amnesia or Penumbra (or, going outside Frictional, Outlast). There’s a lot of creeping around a house, playing cat-and-mouse with Jack Baker and his crazy family while trying to save your wife Mia. And being force-fed entrails. It’s not only the best Resident Evil in years, it’s also one of the best horror games period. Paratopic ($5.49 on ) is a horror game, I think.

It’s not scary so much as bizarre, but if I had to fit it into a genre hole I’d choose horror. That disclaimer aside, I’d take 100 more Paratopics over another cobbled together jumpscare game. It’s really, really weird—a 45 minute experience where at least 10 minutes is spent just driving down a poorly-lit road and switching between the two garbled radio stations, smuggling VHS tapes across the border or something. I honestly don’t know, and I don’t think Paratopic wants me to know.

It’s an avant-garde experiment wrapped in PlayStation 1 graphics, and I love it in spite of itself. ($20 on ) and its story of a painter-gone-crazy has some hammy sections and a few too many cheesy jump scares, but its quieter moments are masterful psychological horror. Not scary, per se, but unsettling in ways similar to Mark Z. Danielewski’s House of Leaves. See, every time you turn the camera, things change. Maybe the door you just came through disappears, or you enter a seemingly normal room only to realize all the furniture is on the ceiling. You can never trust your surroundings, and there’s something captivating about that.

The newest entry on the list, Visage ($25 on ) is in Early Access at the moment, and it shows. Inventory management is rough, some of the tutorial text has typos, and there are plenty of rooms gated off at the moment. But if you like slow-burn horror, Visage is shaping up to be great.

You’re trapped in a house that just keeps going and going and going, a non-Euclidian space with creatures in the walls and a dearth of reliable lightbulbs. Speaking of which, Visage also adopts the “sanity” mechanic from Amnesia, Eternal Darkness, et al.

Stay in the darkness too long. Well, don’t stay in the darkness too long. That’s all I can suggest. Little Nightmares ($20 on ) is the best Limbo-style platformer I’ve played.

It borrows the standard Playdead template—you’re a small child and you do a lot of running (and sometimes jumping) to the right. Nothing new there. But these sorts of games live and die on their aesthetic. Little Nightmares blends the surreal and the grotesque in a way that’s both fascinating and just plain disgusting. Its shambling, oversized monsters aren’t necessarily scary but they are unnerving, and there’s a certain quality to them too—a light but ever-present social commentary at work. It’s captivating, and more than makes up for the simplistic mechanics.

Pathologic has been on this list since its inception, but in October of 2015 it got an update: An HD remaster of the game (complete with new translations) released on Steam. It’s not the full-fledged remake that, but rather an intermediate step called Pathologic Classic HD ($13 on ). Why’s the game so great? In short, Pathologic is like someone hired Kafka or maybe Camus (because of the plague storyline) to write The Elder Scrolls IV: Oblivion.

There’s a plague killing The Town, and you play as one of three characters trying to unravel the mysteries held within. Many people will die.

It’s a cult classic, and Rock, Paper, Shotgun’s - about the game is pretty much required reading. It’s a point-and-click, but Stasis ($20 on ) has atmosphere in spades.

You wake up on a strange spaceship, surrounded by bodies, and it only gets worse from there. Styled after the classic isometric horror game Sanitarium and paying obvious homage to Alien, Event Horizon, I Have No Mouth and I Must Scream, and other bits of beloved genre fiction, Stasis is easily one of the best horror games in recent years—not necessarily because of overt scares, but because it tells a compelling story and has a way of getting under your skin. It’s long past time I put one of the Cube Escape or Rusty Lake games on this list. The series has a knack for psychological horror, the type that doesn’t really make you jump so much as it worms its way into your brain and sits there for days. Grotesque puzzle solutions abound, somehow rendered even more unsettling by the welcoming cartoon aesthetic of it all. Is the latest game in the series and probably a bad place to start—I’d recommend either the or maybe.

Scary Games For Mac

Paradox is the most recent game though, and also the most ambitious as it comes attached to a 20-minute short film set in the same universe. What started as a simple room escape series gets a bit weirder every year, and I love it.

Itching for some interactive thrills? We’ve got a nice stack of Halloween-ready options that you can download on your Mac today.

If you’re looking for gruesome, violent adventures filled with aggressive enemies, we’ve got those. Prefer something atmospheric and eerie, albeit with the occasional well-timed jump-scare? Well, we definitely have those covered, too. Inside are 15 games you can play on a modern Mac, ranging from well-known titles like The Walking Dead and Doom 3 to indie favorites like Devil Daggers and Layers of Fear.

Scary Games For Mac Free

Whatever you chose, these games are all designed to shock and startle. Don’t say we didn’t warn you! Valve’s zombie-blasting series is one of the most beloved cooperative gaming experiences, and ($20) is the latest and greatest around. Along with three other players, you’ll battle through various Deep South locations (including New Orleans), blasting scads of aggressive foes while watching each other’s backs and trying to escape to safety.

What makes the game so special, besides its complete focus on team play, is the AI Director 2.0—a feature that dynamically changes the game experience based on your progress, whether it’s the number of enemies, the route ahead, or even the in-game weather. To make things all the more frantic and chaotic, of course. ($50) might star Amanda Ripley, daughter of original film series heroine Ellen, but it smartly follows the horror-centric mold of the first flick rather than the action-centric sequel.

It’s just you and a single, super-smart alien on an abandoned space station, and you’ll have to survive on your own using only gadgets and stealth movements. It’s an incredibly intense experience, especially when you’re silently hiding in a locker, or when the brainy alien suddenly pops out of a vent.

Alien: Isolation has atmosphere for days, but this Collection also has bonuses: you also get a couple of extra, standalone missions featuring the original film’s cast, and letting you play as Ellen Ripley (Sigourney Weaver) herself. While the TV show might be shedding fans with its gruesome twists, Telltale’s ($25, Season One) game series has been widely praised from the start, with two seasons, a spinoff mini-series, and now a third full season beginning in November.

If you haven’t played this choose-your-own-adventure amidst the zombie uprising, now’s the time to get started. The five-episode first season puts you in the shoes of Lee, a man with a mysterious past who teams up with a young girl, Clementine—and every decision and dialogue choice you make has consequences that echo throughout these five episodes and into the later seasons. It’s pretty grim, heartbreaking stuff, but also very tense and startling at times. Haven’t heard of this cheap, lo-fi indie game? You’re probably not alone.

It has a relatively low profile and was just released on Mac this summer, but the people who love it absolutely love it: the game has “Overwhelmingly Positive” reviews on Steam. That’s because it’s one of the wildest first-person shooters ever released, and it’s pretty horrifying to boot. ($5) is built in the mold of classic shooters like Doom, but instead of sending you along through hallways, you’re dropped into a darkened arena filled with huge, glowing threats. Floating skulls and massive beasts emerge from the shadows, and you’ll have to fire your magic daggers at a constant clip to stay alive. Are you afraid of the dark? Speaking of Doom we still don’t have this year’s awesome reboot on Mac, but at least you can grab the previous entry for a song.

($5) put a glossy coat of paint on the classic corridor shooter, amplifying the intensity while adding more of a horrifying edge to the monsters you encounter along the way. Doom 3 finds you exploring an experimental research facility on Mars that has accidentally opened a portal to Hell—and unsurprisingly, Hell’s inhabitants aren’t too happy to see you.

Expect long walks through darkened rooms filled with grotesque monsters, along with plenty of blasting, plus there’s a Resurrection of Evil expansion available if the main game isn’t enough. Whether you play on Mac or iOS, Playdead’s ($10) is a game that can’t be missed. And it’s absolutely haunting: you’ll command a young boy as he wanders through the shadowy forest, encountering strange beasts and surprising traps as you solve puzzles and try to unravel exactly what’s happening. Without dialogue or instruction, it’s never 100 percent clear. But you’ll pick up the fundamentals right away, and then Limbo should have you within its grasp.

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Whether you’re trying to fend off a towering spider, avoid a spiky demise, or overcome a perplexing obstacle, this atmospheric adventure delights. And the ultimate payoff is pretty great, too. It’s only a couple of hours long, but it’s brilliant from start to finish. Slender Man is one weird, weird Internet artifact: a creation of the Something Awful forums that somehow became a cult sensation, generating all sorts of memes, fan media, and even some horrifying real-life violence.

That last bit is terrible, terrible stuff, but if you want to be scared stupid without anyone actually being hurt, play ($10). Primarily set within a forest, you’ll explore with a flashlight and try to figure out where your friends have gone and then you’ll stumble upon the titular antagonist, a supernaturally tall and long-limbed monster without a face. And then the screen will get fuzzy.

And then you should definitely turn around and run if you want to survive. When the zombies rise and begin roaming the Earth, most games would have you shoot your way out of it. ($25) has some of that, sure, but it also throws in more than a dash of Minecraft, letting you craft weapons and armor, build up defenses, mine and scavenge for resources, and work together to survive for as long as you can against the undead.

Even with more of a strategic sandbox edge, 7 Days to Die is plenty intense whether played in single-player or multiplayer modes. For all of the exploration, structure-building, and menu navigating, there’s plenty of brain-blasting and head-bashing to find here. Even six years later, ($20) is still considered a master class in designing a totally twisted and completely unnerving game experience. It’s a first-person adventure game set inside a castle, with your character trying to piece together his past.

However, there are threats abound—both inside the location and within your mind, as well. Daniel is prone to hallucinations, and how can you trust your ability to evade enemies if you can’t even believe what you’re seeing? It’s a constant struggle that makes Amnesia truly one of the most grueling survival horror adventures around, plus there’s an expansion pack to endure, not to mention a grisly standalone sequel called Amnesia: A Machine for Pigs. Obsession can drive one to madness, and that’s exactly the premise of ($20).

You’re a painter locked inside a Victorian mansion, eager to complete your ultimate work, but there’s a big problem: you’re completely nuts. And that’s represented within this horror game in a rather visceral and eerie way, as the environment changes with every camera movement, leaving you ever unsure of where you are or what’s real. It’s heavy on jump-scares, which our friends at PCWorld say is a downside, but the way it toys with your expectations and assumptions is pretty spectacular. “The way rooms twist and turn in on each other like a hellish labyrinth, an impossible house full of impossible things—it’s unsettling,”. Much like Alien: Isolation, ($20) isn’t designed to make you feel like an all-powerful warrior.

In fact, you’re a journalist—and no, the job description doesn’t come with firearm proficiency. As an investigative reporter, you’ll explore the Mount Massive Asylum, where rumors claim that horrific experiments are taking place. Yes, the rumors are clearly true. You’ll find that out quickly when being pursued by some freakish, ultra-fast beast, and you’ll need to run or hide to evade their capture (and your demise). Thankfully, you have a night-vision camcorder to help you explore the darkened hallways and gruesome operating rooms, but that won’t help you much when you’re trying to sprint to safety. Ah, to view the world from the eyes of a precious two-year-old. It sounds well, it actually sounds kind of terrifying, no?

And this isn’t your average single family home in ($15), or at least it doesn’t appear that way from your undeveloped mind. Woken by an unknown noise, you’ll wander the space seeking comfort and light. The environments can look twisted and strange, and the creatures—or monsters—are unknown and terrifying, but at least you have a sentient stuffed bear to reassure you and light up when pressed. Still, there’s an unsettling backstory here about a seeming dispute between the mother and father, and Among the Sleep has been lauded for its emotional gut-punch of a narrative. Many of the games of this list have realistic (or semi-realistic) graphics and may take place from a first-person perspective to boost the immersion, but you don’t have to see a game world from your character’s eyes to be spooked by it. That’s clearly the case with ($15), a much-loved indie game that has an old-school, 16-bit-esque pixel graphics look to it.

Thankfully, that doesn’t neuter the tension or freaky atmosphere at all. You’re the titular hero: a rare survivor trying to escape a disease-ridden city, only you’re dealing with some vivid hallucinations amidst the aggressive mutants. It’s a blend of adventure, action, and simulation games, with a bit of virtual pet management tossed in, and your choices along the way help shape the conclusion. ($30) hails from Frictional Games, the same studio behind Amnesia: The Dark Descent, but it’s thankfully not as exhausting of a horror grind. That’s not to say that it lacks tension and atmosphere, however: with a sci-fi storyline and setting, it’s one of the most memorable Mac games released in recent memory. The first-person adventure takes place on an underwater lab called PATHOS-II, where the robots have developed personalities and think they’re alive. Not creepy enough for you?

Well, wait and see what happens when the lights are out. Our sister site PCWorld dropped on SOMA last year, claiming, “SOMA does BioShock better than BioShock ever did BioShock.”. Train conductors probably deal with a lot of day-to-day stress, but this is next-level: ($15) puts you in the job as you try to guide a train of survivors through the aftermath of an apocalypse. As you might expect, that’s not the easiest task around. You’ll need to keep the train in working condition as you travel from station to station, and each destination is filled with infected attackers—but resources are scarce, so blasting a path through them isn’t your smartest approach. Even with a pixel-art aesthetic, it’s filled with tension and startling violence, and it seems like the kind of game you can play multiple times over with varying experiences.